Shoots planned around what you need to prove
Before we film anything, we agree what the footage has to show: durability, size, results, honesty, price. One planned day then gives you three months of advertising instead of one film.
Service 07
Video, photography and brand work made for where it will actually be seen: in a feed, in an ad, on a product page, in a customer's hands.
Finished creative assets shipped per month
Months 1–11 of the engagement
What's included
Your contract lists the work at this level of detail. Nobody argues three months later about what was included.
Before we film anything, we agree what the footage has to show: durability, size, results, honesty, price. One planned day then gives you three months of advertising instead of one film.
Clean product footage, the product being used, before-and-after sequences and real customers talking. We shoot the thing that actually convinces someone to buy.
Content that looks like it belongs in a feed, not in a TV break. We find and brief the creators, direct the shoot, and handle usage rights and editing.
Product shots, lifestyle images and packaging photos taken alongside the video. Your catalogue, website and ads then share one look.
Your position written as sentences your sales team can say out loud, plus rules for logo, colour, type and layout. You get the everyday templates you need, not a document nobody opens.
Packaging, labels, signage, brochures and pitch decks prepared for print, plus a steady supply of ad creative and social templates so the look does not fall apart a month later.
How we run it
The order is the method. Each stage makes what the next one needs, so we will not jump to stage three however tempting that looks.
What stops someone buying: durability, size, trust, price, how it works. The shot list and the words both come from answering those.
Who you are for, and why you are the right choice, agreed before a camera comes out. We choose colour, type and photography for where they will really appear: an ad, an invoice, a shopfront, a phone.
One well-planned day should give you dozens of usable assets. Shooting a single hero film is how video budgets get wasted.
Different hooks, lengths, shapes, subtitles and end cards per platform. You get a library, not one master file.
Everything goes live in a structured test. Whatever holds attention gets new hooks and versions, which costs far less than shooting again.
Who it's for
If your business is not on this list, tell us on the call. We are good at saying this is not your problem, and pointing at what is.
Where the product has to be understood in three seconds on a phone, and the catalogue photos were shot two years ago by somebody's cousin. Shoots run from Gurugram.
The same three videos for six months, costs climbing, and nothing new in the pipeline to replace them.
Good products and real expertise, presented in a way that lets a weaker competitor charge more. Clinics, institutes and service businesses where trust is the product.
Questions
More general questions about working together are on the FAQ page.
It depends far more on the shoot day than on the final edit. A single-day product shoot that produces a library of assets is very different from a location film with models and a crew. We quote per project once we agree what the footage has to do, and we will tell you when a cheaper format would work just as well.
A well-planned day usually gives you twenty to forty usable assets once the hooks, lengths and formats are cut. That is the whole reason to plan a shoot around advertising angles instead of one hero film.
Yes. Positioning, identity, guidelines, packaging and print are all part of this service. In practice they usually come first, because deciding what you stand for makes every shoot afterwards more useful.
It depends what you compete on. If you win on price alone, put the money into ads instead. If you need people to trust you with their health, their child's education, their home or a large order, then how you look is doing real work, and it is usually underfunded.
We can, through Performance Marketing, and results are better when one team does both. The next shoot then gets planned from what the data says is working. We also produce for clients who buy their own media.
You own the final assets and the raw footage. Creator and talent usage rights are agreed and written down up front, so no expiry date surprises you a year later.
We design the brand system a website uses, and we can provide the page designs. The build itself is handled by our web division at web.exponentialy.com, which keeps this side of the business focused on marketing and creative.
Elsewhere
Most clients use two or three of these together. Not sure which ones? That is what the first call is for.
Book a free growth callNext step
Forty-five minutes with the person who would run the work. Bring whatever numbers you have. We will tell you honestly whether this is the right place to start.
Or call +91 93060 49784 and email support@exponentialy.com — we reply within one working day.
45 minutes, no slide deck
You talk to the person who would run the work, not a salesperson.
Your numbers on the table
What a customer is worth, where enquiries come from, and what you have tried.
A written plan afterwards
What we would fix first, and in what order. Yours to keep either way.